
This camera is an inexpensive way to get into large format photography. The negatives are big enough to print lovely silver gelatin contact prints, and can be used for alternative printing processes like cyanotype, van dyke, and kallitype. The following list includes everything needed for construction except for the film. The costs are based on prices in St. Paul, Minnesota, USA in August, 2005.
I bought the film holders for $8 each at a used camera store. They can be purchased on Ebay as well. These instructions require a 4X5 inch film holder for each step in the process. The same instructions could be followed to make a camera for other film holder sizes. I made a camera to match an old wooden 8X10 inch film holder that I bought on Ebay using the methods as outlined here. The camera illustrated here is a 75 mm focal length, which is a relatively wide angle for 4X5 film (‘normal’ focal length is about 150 mm).
This is the most important piece of the camera, so measure carefully. The back, bottom, and sides of the camera will be constructed using a film holder for dimensions, and to help line up the pieces during the gluing process. Cut a piece of matte board to fit in the slot above the light-trap ridge on the film holder. This piece will measure slightly less than .75” (19.05 mm) by the width of the film holder – 4.765” (121 mm). Cut another piece the same width of the film holder. Cut the length so the matte board rests on the flat just below the light-trap ridge, and is even with the bottom of the film holder. Tape these pieces to the film holder with loops of masking tape.

Cut a piece of foam core to exactly the same width as the film holder. Spread wood glue over the surface of both pieces of matte board. Line up the sides of the foam core piece to the sides of the matt board and clamp or weight it down until the glue sets (about 10 minutes).

Remove the glued camera back from the film holder, and trim the top and the bottom of the foam core to match the matt board. Put a new blade into the X-acto knife. Carefully cut the image hole from the matt board side. Keep the knife vertical and make the cuts as clean as possible. Congratulations! The most difficult part is done.

Cut a piece of foam core to the same width as the film holder. Set up a means to clamp the bottom of the camera to the camera back (see photo).

Apply wood glue to the bottom edge of the camera back. Place the film holder flat on a table, and place the camera back on top of it, with the slot lined up with the light-trap ridge. Align the camera bottom piece to the glued edge of the back, with the edge of the bottom flat against the table, even with the back of the film holder. Clamp in place for 10 minutes, or until the glue sets. Trim the camera bottom to the correct length for the pinhole to film distance that you require. The film plane will be approximately 5 mm behind the surface of the matt board that faces the film holder. On this 75 mm focal length camera, the length of the bottom piece is 83 mm.
Cut the left and right sides of the camera from foam core. The sides will be flush with the bottom of the camera, and even with the top of the back. On this camera the side dimensions are 83 mm X 165 mm.


Cut the foam core even with the outside edges of the sides and bottom. Find the center of the opening in the film holder. Carefully mark and cut a hole in the foam core at this location. The hole here is 1.5” in diameter (about 38 mm). This camera includes a slot to hold a black plastic slide mount, so the pinhole can be changed.

Glue the front of the camera to the sides and bottom. Install the pinhole.
Cut a piece of foam core to match the sides and front of the camera. The back of the top will butt against the front of the film holder. Glue and clamp the top. The picture at the top of this article shows the fit of the camera top.
Epoxy a step-up ring for filters and lens cap to the front of the camera. 52 mm seems to give the best choices of used filters. Install the lens cap.
This camera is attached to the tripod by 2” X 4” pieces of Velcro on the bottom and one side of the camera. The film holder is held against the back by Velcro strips attached to 1” pine molding strips.

Earl Johnson is a Project Management Consultant for InSite Group, a Minneapolis firm specializing in software products and consulting to help manufacturers maximize their technology investment. Earl began making pinhole photographs in 2004. His images are in private collections in the United States, Europe, Asia, and Australia. His work has appeared in four all pinhole photographic exhibitions in 2007. View some of his images in his f295 gallery
Read more about Earl Johnson.
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An excellent primer and enocuragement for me to build my own 4”x5”, something that I have been intending to do for far too long. A bit more guidance on pin hole size might be in order though ….
Tony.
Sorry, forgot to rate the story! I was going to give it 5 out of 5, but decided to knock a point off, only giving it 4 out of 5, as begineers might not appreciate the optimum pinhole size and how to achieve it for a camera of this size format possibly of a different focal length if said begineers want something with a longer focal length for less of an extreem wide angle.
Links for Pinhole Calculator and Pinhole Designer are :-
http://pinhole.stanford.edu/phcalc3.htm
http://www.pinhole.cz/en/pinholedesigner/
Tony.
Here’s a link to an article on making a pinhole:
http://unblinkingeye.com/Articles/Pinhole/pinhole.html
very well thought out and the sequence and excellent photo-illustration make it an enjoyable read
what did you use to shoot the illustrations?
Olympus digital camera.
Really well done Earl. Good organization, detailed, good illustrations. I’ve been thinking about writing an article on a different kind of Pinhole camera. You’re a good inspiration… thanks
btw… have you thought of a back modification to allow Polaroid film holders?
Good article Earl; I build my own 4×5 few months ago, and I have problems measuring the pinholes. In fact when I try to convert from the pinhole size to F/stop. Can you give a hand on this?
thanks , kathia
Andy – I don’t have a Polaroid back, but if I ever get one, I will make it work on my 4×5 cameras.
Kathia – f stop is the distance from pinhole to film divided by the aperture diameter – thus my 120 mm 4×5 camera with a .4 mm pinhole is 120/.4 or f300. You can use a scanner to measure the diameter of your pinhole. There are also relatively inexpensive magnifiers with measuring reticles available – check out the Peak Optics website.